TURN YOUR OUTLINE INTO A ROUGH-DRAFT SCRIPT IN MINUTES

Here’s a tip for television and film writers.  If you haven’t thought of this one yet it could get you into your first draft a lot quicker and easier.  But best of all, in just a couple of minutes it could transform your outline into virtually half of your script.  Here’s what you dos:

After you have written an outline, and are ready to start your script, cut and paste the outline directly into your script writing software.  Then reformat your outline into script form, including slug lines, description, character names, dialog and transitions.

Let me show you an example from one of the episodes I wrote for Nickelodeon India’s Little Krishna series, “The Mystery of the Vanishing Sheep”.  I’m just going to turn one scene of the outline into script form so you can see how I do it.

By the way, I use Fade In Professional Screenwriting Softwareto write my scripts.  I set it up so that I only have to press ctrl+shift and a letter key to reformat a line of unformatted text into slug lines, action, character names, parentheticals, dialogue and transitions.  So, it’s quick and easy to turn an outline written in Microsoft Word into screenplay format.

Here’s one scene as it was written in the outline:

EXT. GOVARDHANA HILL – DAY

 Krishna & Madhu return to tell the others what they did, and share their treats, only to discover Bal, Sridham, Subala and just two other boys dressed as sheep.  “Where have all our other friends gone?” asks Krishna.  Sridham accuses Subala of stealing all his “sheep”.  But again, Subala protests his innocence.  Then Radha, Lalita and Vishaka lead Chandrika and Prabhavathi to Krishna.  But before they can punish Krishna, Chandrika looks around and notices that her son is not there.  Prabhavathi doesn’t see her boy either.  “Where are they?” asks Prabhavathi.  “And who’s that boy over there?” wonders Chandrika, referring to Vyomasura (in disguise) as he sneaks toward to the two remaining sheep-boys.  Krishna sees through the boy’s disguise, and when he does, Vyomasura sees Krishna in his warrior form.  When Krishna confronts the boy, Vyomasura resumes his towering demon form, and reveals he has kidnapped the other boys and will kill them all…as soon as he’s killed Krishna!  Hearing that the demon has their sons, Chandrika and Prabhavathi collapse in grief.  Krishna battles the demon and, despite his smaller size, wrestles Vyomasura to the ground, causing Govardhana hill to shake so much that his brother, Balaram, has to press his foot down on the earth to stabilize it, leaving a deep footprint.  Finally, Krishna throws the demon down with such force that he dies instantly from the impact.  Then Chandrika and Prabhavathi plead with Krishna to find their sons.  So Krishna leads them away.

That’s a pretty dense scene, so when you look at just that paragraph and think about turning it into script, it seems like it’s going to take quite a bit of work to break it down into smaller beats and connect them all into a complete sequence.  But with my little trick it’s a lot easier than it looks.

Watch how simple it is to turn outline into rough draft script without adding more than a character name here and there.  Here is the very same paragraph reformatted as a script.

EXT. GOVARDHANA HILL – DAY

Krishna & Madhu return to tell the others what they did, and share their treats, only to discover Bal, Sridham, Subala and just two other boys dressed as sheep.

KRISHNA

“Where have all our other friends

gone?” asks Krishna.

SRIDHAM

accuses Subala of stealing all his

“sheep”.

SUBALA

But again, Subala protests his innocence.

Then Radha, Lalita and Vishaka lead Chandrika and Prabhavathi to Krishna.  But before they can punish Krishna, Chandrika looks around and notices that her son is not there.

PRABHAVATHI doesn’t see her boy either.

PRABHAVATHI

“Where are they?” asks Prabhavathi.

CHANDRIKA

“And who’s that boy over there?”

wonders Chandrika, referring to

VYOMASURA (in disguise) as he sneaks toward to the two remaining sheep-boys.

KRISHNA sees through the boy’s disguise, and when he does,

VYOMASURA sees Krishna in his warrior form.  When

KRISHNA

confronts the boy,

Vyomasura resumes his towering demon form, and

VYOMASURA

reveals he has kidnapped the other

boys and will kill them all…as

soon as he’s killed Krishna!

Hearing that the demon has their sons, Chandrika and Prabhavathi collapse in grief.

KRISHNA battles the demon and, despite his smaller size, wrestles Vyomasura to the ground, causing

GOVARDHANA HILL to shake so much that his brother

BALARAM has to press his foot down on the earth to stabilize it, leaving

A DEEP FOOTPRINT.  Finally,

KRISHNA throws the demon down with such force that he dies instantly from the impact.  Then

CHANDRIKA AND PRABHAVATHI

plead with Krishna to find their sons.

So Krishna leads them away.

As you can see, I just turned a third-of-a-page, single-spaced paragraph into one-and-a-half pages of rough draft script.  Extrapolate this and a 4-page outline turns into 18 pages of script.  That’s over half of a 22-minute script!  They’re rough, and need a good deal of editing, especially with the dialogue, but it sure beats the heck out of staring at blank pages.

And there’s one more advantage to doing this: you can see much more clearly where your script might be running long, which could save you even more time by preventing needless overwriting.

I hope this helps.

Jeffrey Scott has written over 800 animated and live-action TV and film scripts for Sony, Warner Bros., Disney, Universal, Paramount, Columbia, PBS, Sesame Workshop, Marvel, Hanna-Barbera and others. He is the co-creator of Jim Henson’s Muppet Babies for which he was honored with three Emmys and the Humanitas Prize. He is author of the acclaimed book, How To Write For Animation. To learn more about Jeffrey’s work, or to contact him regarding his film and TV development and writing services, visit his website at www.JeffreyScott.tv

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